Have The Tools Used To Build Ancient Megalithic Monuments Been Hidden In Plain Sight All Along?

Traditional explanations claim that ordinary, basic instruments, along with remarkable feats of human effort, enabled it all. As the broad picture emerges, there is no rational explanation for why building processes and designs share so many commonalities over the world.

Links that are missing

Aside from the construction mystery, there is another missing link: What became of the tools? Also, why isn’t there any recorded information describing these amazing construction methods?

Were these methods kept hidden on purpose, or have the solutions been staring us in the face all along? Is it because one of the tools is ephemeral sound and vibrations that we haven’t uncovered clear proof of tools? Is this another reason we misunderstood the instruments used?

Egypt’s Sailing Stones

According to one historical narrative from an old Arab historian and geographer, the Egyptians employed sound to transport large stone slabs. By 947 AD, he was known as the Arab Herodotus, having recounted a centuries-old legend.

The legend goes as follows, according to Mysterious Universe:

“When the pyramids were being built, its designers carefully positioned what was described as magical papyrus beneath the edges of the enormous stones that would be utilized in the construction process.” The stones were then struck one by one by what was strangely and enigmatically described merely as a metal rod. The stones then slowly began to rise into the air, and – like faithful soldiers blindly obeying orders – proceeded in slow, methodical, single-file fashion several feet above a paved pathway flanked on all sides by identical, enigmatic metal rods.”

Was-sceptre

We’ve all seen Egyptian deities, such as Anubis, standing with a peculiar rod in his hand, as shown in the image above. However, few people are aware of what that thing is. A Was-sceptre is a staff with a forked base and a pronged head styled like a stylised canine or another animal. The rod is thin and absolutely straight, and it is linked to other enigmatic items such as the Ankh and the Djed. Were they just symbolic, or could they have functioned as tools of some sort?

These things, according to the Ancient History Encyclopedia, are symbols of royal power and dominance.

“The three most important symbols, which could be found in everything from amulets to buildings, were the ankh, the djed, and the was scepter.” These were frequently mixed in inscriptions and can be found on sarcophagi together or individually. In each of these cases, the form expresses the concept’s eternal value: the ankh signified life, the dead stability, and the was power.”

Was-sceptres are depicted in some paintings supporting the roof of a shrine while Horus watches on. Similarly, the Djed may be seen on temple lintels in the Djoser complex in Saqqara, looking to hold up the sky.

“A few years ago, an American acquaintance picked the lock on a door leading to an Egyptian museum storeroom about 8 feet by ten feet in size.” Inside, she discovered hundreds of what she called “tuning forks.”

These resembled catapults, but with a taut wire stretched between the tines of the ‘fork.’ They ranged in size from about 8 inches to about 8 or 9 feet overall length. She emphasizes, incidentally, that these were steel, not non-ferrous.

These items resembled a letter U with a handle (similar to a pitchfork) and vibrated for a long time when the wire was pulled.

I’m wondering whether these gadgets had hardened tool bits attached to the bottom of their handles and if they were used for cutting or etching stone once they were set humming.”

Although simply anecdotal evidence, the email appears to validate the hieroglyph of tuning forks on the statue of Isis and Anubis, with wire stretched between the tines.

Following that is a far older Sumerian Cylinder seal depicting a figure clutching what looks to be a tuning fork. As you can see, ancient folks knew a lot more about the impacts of sound and vibration than we do now.

We are learning new methods to look at ancient structures now. Archaeoaccoustics demonstrates how sound was used in the development of locations all across the world. Meanwhile, cymatics research demonstrates how vibrations affect the geometry of matter in subtle and inexplicable ways. Furthermore, the mysteries of quantum mechanics are unraveling as scientists discover new particles and apply artificial intelligence algorithms to learn how matter functions.

Could we finally arrive at a point where we can begin to grasp how the world’s ancient people built gigantic monuments all across the world?

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